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Home > MIXERS-UNPOWERED-ANALOG > SOUNDCRAFT
Soundcraft LX7ii 16 Channel Mixing Console
Soundcraft LX7ii 16 Channel Mixing Console
Soundcraft LX7ii 16 Channel Mixing Console
Price
Retail Price: $1,499.00
Your Savings: $200.00
Your Price:
$1,299.00
Quantity
Description
Soundcraft LX7ii 16 Channel Mixing Console
 
16 Microphone /Line Input Audio Mixer, 4 Stereo Subgroups
 
The stylish new desk gets its looks from the highly successful and popular MH3 and MH4 touring sound consoles, and includes a new frame, module ID graphics and end-cheeks, making the LX7ii not only easy to use but creating a system that will be the envy of professionals everywhere.

Electronically, the 16 channel LX7ii gains a new Soundcraft mic-preamp and EQ section, both designed by Soundcraft founder and electronics wizard Graham Blyth. Designated the GB30 Series, the new designs coincide with Soundcraft’s 30 year anniversary and the new 4-band EQ with swept mid sections is based on the highly-acclaimed EQ in the new MH3 and MH4 touring consoles.

The new GB30 mic pre on the LX7ii brings together some of the quality and precision of the mic preamps Soundcraft uses on their biggest touring desk, while retaining the cost-sensitivity demanded at this point in the market. Soundcraft strives to provide the best possible audio quality at the best price for the customer — not allowing compromise — and it starts at the mic preamp.

The GB30 EQ, owing its heritage to the work Soundcraft did on the new MH range, gives a steeper than usual slope on the fixed LF and HF sections, removing unwanted mid-frequency ‘mush’ and delivering a clearer sound. Soundcraft offers a unique, cost-effective design that brings high-end EQ into an affordable mixing console for the first time.”

Other standard features of the LX7ii include frame sizes up to 32 mono inputs and four stereo inputs/returns with four groups, main stereo output and a dedicated mono output for centre clusters. There are direct outputs on the first 16 inputs suitable for multi-track recording, and six aux sends for flexibility for effects and foldback. The LX7ii mixes to seven outputs – four subgroups, plus the main Left, Right and Centre (Mono) mix outputs.

The Soundcraft LX7ii continues in the tradition of the highly successful original LX7 in its applications in live performance PA, installed systems in churches, theatres and any similar application where a compact sized console needs to provide a large number of inputs and maximum output capability. Both recording and live applications are easily satisfied by the LX7ii.
 
Soundcraft RW5674 LX7ii 16 Channel Mixer Features:
 
  • 16-channel frame size
  • GB30 mic preamps
  • Precision equalization circuitry
  • True 7-bus architecture
  • 2 stereo inputs
  • 2 stereo returns
  • Channel direct outputs
  • 6 aux sends, 4 of which are pre/post switchable
  • Integral universal voltage, switched-mode PSU for light weight
  • Talkback facility
  • 100mm faders
  • +48 phantom power
  • 18dB/octave high pass filter
  • Group and mix inserts
  • 12-segment LED metering
  • 26-7/10"W x 6-1/2"H x 19-4/5"
  •  
    16 Input Configuration
    The LX7 II console is available in three different channel configurations. This model features 16 input channels with 4 sub group outputs.

    4 Sub Group Outputs
    4 sub group outputs are featured and allow audio signals to be routed to multi track recorders and monitors.

    Inserts
    Inserts are featured on all input channels and group outputs. Inserts allow routing to and from external signal processors.

    Enhanced Mic Preamplifiers
    Every input features a Graham Blyth designed microphone preamplifier that delivers exceptional headroom, smooth detail and very low noise floor.
     
    Soundcraft RW5674 LX7ii 16 Channel Mixing Console Specifications:
     
  • Frequency response:
    XLR input to any output  +0/-1dB, 20Hz-20kHz
  • T.H.D. & noise All measurements at +10dBu output, 30dB gain.
    XLR input to Direct output  <0.007% @ 1kHz
    XLR input to Mix output  <0.008% @ 1kHz
  • Mic input E.I.N:
    22Hz-22kHz bandwidth, unweighted  <-128dBu (150Ω source)
  • Mic gain:
    Min  5dB
    Max  60dB
  • Bus noise:
    Mix output, input faders @ -∞, Mix fader 0dB
    32 channels routed <-85dBu
    16 channels routed  <-88dBu
    Group output, input faders @ -∞, Group fader 0dB
    32 channels routed <-85dBu
    16 channels routed  <-88dBu
    Aux output, input sends @ -∞, Aux master 0dB
    32 channels routed <-88dBu
    16 channels routed <-91dBu
  • Crosstalk @ 1kHz:
    Input channel muting  >98dB
    Input fader cutoff  >98dB
    Input pan pot isolation  >82dB
    Mix routing isolation  >98dB
    Group routing isolation  >98dB
    Adjacent channel isolation  >100dB
    Group-Mix crosstalk  <-84dB
    Aux send off  <-94dB
  • CMRR:
    Mono input, measured at max gain typically 80dB @ 1kHz
  • Input & output levels:
    Input channel mic input  +15dBu max
    Input channel line input +30dBu max
    Stereo inputs & insert returns  +20dBu max
    All outputs  +20dBu max
    Nominal operating level  0dBu
    Headphone power 2 x 250mW into 200Ω phones
  • Input & output impedances:
    Mic input   2kΩ
    Line inputs   >10kΩ
    Input channel insert return   5kΩ (with EQ in, otherwise worst case 1.8kΩ)
    Mix, Group, Aux outputs  150Ω
    Insert sends  75Ω
    Recommended headphone impedance  50-600Ω
  • High pass filter (Mono input):
    100Hz, 18dB per octave
  • EQ (Mono input):
    HF   13kHz, +/-15dB, 2nd order shelving
    Hi-Mid 550Hz-13kHz, +/-15dB, Q=1
    Lo-Mid   80Hz-1.9kHz, +/-15dB, Q=1
    LF   80Hz, +/-15dB, 2nd order shelving
  • Metering:
    6 tri-colour 12-segment LED bargraphs
  • Power consumption:
    AC mains supply (internal PSU) 85V-270V AC,
    50/60Hz universal input
    Power consumption  60W
  • Operating conditions:
    Temperature range   -10ΊC to +30ΊC
    Relative humidity   0% to 80%
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